Riots—and even gunplay—often followed circuses as their showgrounds drew drunks, toughs, and rowdy college boys. And the troupers brawled to defend the show.
Part one of two.
By Russell Working
WHEN THE O’BRIEN CIRCUS set up in Scranton, Pennsylvania, more than a century ago, performers and roustabouts alike sat down to eat in their new cook tent.
The tent walls were open, and as the troupers tucked into a dinner of meat and vegetables dished from giant kettles, they noticed they were surrounded by a throng of sullen men. The towners were miners, black-faced with coal dust and still wearing their lantern helmets from work.
The miners began lobbing rocks at the kinkers, knocking over several cook pots, lion tamer George Conklin recalls in his 1921 memoir, The Ways of the Circus. When the circus owner stepped out to calm the rowdies, a stone laid him flat, Conklin writes.
An O’Brien man screamed, “Hey, Rube,” and the troupers stormed out of the tent to meet their foe in a melee.
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